Modes

The Ionian mode is the diatonic scale that corresponds to the modern major scale, built on a sequence of whole and half steps (W‑W‑H‑W‑W‑W‑H). It serves as the first mode of the seven traditional church modes and is foundational in Western tonal music.

The Mixolydian mode is a diatonic scale that resembles the major scale but with a lowered seventh degree. It is widely used in folk, jazz, rock, and modal music, offering a characteristic dominant sound without the need for a separate chord alteration.

The Lydian mode is a diatonic musical scale that can be thought of as a major scale with a raised fourth degree, giving it a bright, floating quality.

In music, a mode is a type of scale characterized by a specific pattern of intervals, forming the basis for melody and harmony. Modes have been used across cultures and eras, from ancient Greek theory to modern jazz and folk traditions.

The Locrian mode is the seventh of the seven traditional diatonic modes, characterized by a diminished fifth and a flattened second. It is the most unstable of the modes and is rarely used as a tonal center, but appears in modern classical, jazz, and metal contexts.

The Dorian mode is a type of musical scale that can be thought of as a natural minor scale with a raised sixth degree. It is one of the ancient Greek modes and remains widely used in jazz, folk, and rock music.

The Aeolian mode is a diatonic scale that corresponds to the natural minor scale. It is one of the seven traditional Greek modes and is widely used in Western music for its characteristic minor tonality.

The Phrygian mode is a diatonic scale built on the third degree of the major scale, characterized by a half‑step between its first and second scale degrees. It is used in a variety of musical traditions, from Western classical to modern rock and metal, to convey a distinctly dark or exotic sound.