Deceptive Cadence

A deceptive cadence is a harmonic progression that subverts the expected resolution from the dominant chord to the tonic, typically moving to the vi chord instead. It creates surprise and prolongs tension, and is a staple of tonal music from the Baroque era to contemporary pop.

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Chord Inversion

A chord inversion rearranges the order of notes so that a note other than the root occupies the lowest pitch. This technique is fundamental to voice leading, harmonic variety, and bass‑line movement across many musical styles.

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Plagal Cadence

A plagal cadence is a harmonic progression that moves from the subdominant (IV) to the tonic (I) chord, often heard at the end of hymns and folk songs. It creates a softer, more gentle resolution than the dominant‑tonic authentic cadence.

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Seventh chord

A seventh chord is a four‑note harmony built by adding a seventh interval to a basic triad. It comes in several varieties—major, dominant, minor, half‑diminished, and fully diminished—each with distinct tonal functions.

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Power chord

A power chord is a two‑note harmony, typically the root and perfect fifth, often doubled at the octave. It is a staple of electric guitar playing in rock, metal and related styles, especially when combined with distortion.

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