Authentic Cadence
An authentic cadence is a harmonic progression that creates a sense of finality by moving from the dominant chord to the tonic. It appears in two main forms—perfect and imperfect—depending on voice leading and chord inversion.
Understand chord theory with clear guides to intervals, inversions, harmonic function, progressions, and musical relationships.
An authentic cadence is a harmonic progression that creates a sense of finality by moving from the dominant chord to the tonic. It appears in two main forms—perfect and imperfect—depending on voice leading and chord inversion.
A power chord is a two‑note harmony, typically the root and perfect fifth, often doubled at the octave. It is a staple of electric guitar playing in rock, metal and related styles, especially when combined with distortion.
A secondary dominant is a chord that temporarily tonicizes a scale degree other than the tonic by treating it as if it were the dominant. It enriches harmonic motion by creating brief tonal pulls toward non‑tonic chords.
A minor chord is a three‑note harmony built from a root, a minor third, and a perfect fifth. It provides a darker, more melancholic sound than its major counterpart and is fundamental to Western tonal music.
A borrowed chord is a chord taken from the parallel key (major or minor) and used in a different tonal context, providing colour and tension in harmonic progressions.
A chord progression is a sequence of chords played in succession, forming the harmonic backbone of a piece of music. It establishes tonal center, creates tension and release, and guides melodic development.
A suspended chord replaces the third of a triad with a second or fourth, creating an open, unresolved sound. It is common in pop, rock, and jazz and often resolves back to a major or minor chord.
An augmented chord is a triad built from a root, a major third, and an augmented (raised) fifth, producing a distinctive, tense sound used in many musical styles.
A diminished chord is a triad built from two minor thirds stacked together, producing a tense, unresolved sound. It appears frequently in Western harmony as a passing or leading‑tone chord and is essential for creating chromatic movement.