Analyzing Common-Tone Modulations with Pitch-Class Notation

Analyzing common-tone modulations through pitch-class notation offers a powerful lens for understanding harmonic relationships in both tonal and post-tonal music. By reducing pitches to their pitch-class equivalents, this method reveals underlying symmetries and pivot tones that traditional notation obscures, enabling analysts to trace modulatory paths with precision and clarity.

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Relative Major and Minor Keys: Definition and How to Find Them

Relative major and minor keys are pairs of major and minor scales that share the same key signature, such as C major and A minor. To find the relative minor of a major key, count down three semitones (or a minor third) from the tonic; to find the relative major of a minor key, count up three semitones (or a minor third) from the tonic. This relationship forms a cornerstone of tonal music theory and analysis.

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Phrygian Dominant Scale (Spanish Phrygian): Definition, Notation, and Uses

The Phrygian dominant scale—also known as the Spanish Phrygian scale—is a seven-note scale distinguished by its flattened second degree and major third, creating a signature augmented second interval. It is the fifth mode of the harmonic minor scale and is synonymous with flamenco’s Andalusian cadence, yet it also appears in Middle Eastern traditions, jazz, and progressive rock, offering a potent mix of exoticism and tension.

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How to Compose a Simple Canon: A Step-by-Step Guide

A canon is a musical form in which a melody is imitated by one or more voices after a delay, creating a layered texture. This guide provides a step-by-step method for composing a simple canon, covering the essential techniques of pitch and rhythmic imitation, notation, and performance. Whether you are a student or an enthusiast, this article demystifies the process and highlights the historical significance of this elegant contrapuntal device.

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